• Moderator: Denva E. Gallant, Rice University
• Cortney Berg, The City University of New York
  The Morgan Manuscript M.461 Amazons: Dangerous Women in Courtly Guises
• Tori Burke, Emory University
  A Generation of Vipers: The Physiologus, the Woman-Serpent, and the Viper's Lesson
• Ella Gonzalez, Johns Hopkins University
  Bearing Weight: Caryatid Mirrors and Women’s Labor in Ancient Greek Art

• Moderator: Meredith Gamer, Columbia University

• Jessica M. Dandona, Minneapolis College of Art and Design
  Finis Galliæ: The Peril and the Promise of Mother’s Milk in Henri-Jules-Jean Geoffroy’s La Goutte de Lait de Belleville
• Shana Klein, Kent State University
  Spoiled Milk: The Anxieties of Motherhood in Victorian Breastfeeding Imagery

• Gabrielle Patrone, Rhode Island College
  “Nursing the Republic: A Study of Marie Benoist’s Portrait of Madeline”

• Jutta Sperling, Hampshire College
  “Female Imperial Patronage and Lactation Imagery in Eighteenth-Century Illuminated Ethiopian Manuscripts of the Story of Mary [Nägärä Maryam]

• Moderator: Orin Zahra, National Museum of Women in the Arts

• Janine DeFeo, The Graduate Center, City University of New York
  Feminist Networking: The 1980 WCA Conference Debate and Suzanne Lacy’s River Meeting
• Margo Hobbs, Muhlenberg College
  Lesbian Feminist Photography at the Rootworks Ovulars: Visibility, Pleasure, and Empowerment
• Danielle Van Wagner, University of Toronto
  Papers of Art and Fantasy: The Collaborative Networks of Parisian Female Decorative Artists
• Yizhou Wang, Hong Kong Baptist University
  The Politics of Female Alliance through an Orchid Album in Late Imperial China

• Moderator: Christina Riley, American University

• Megan Brandow-Faller, City Univeristy of New York, Kingsborough
  Designs on Creativity: Emmy Zweybrück and the Commodification of Child Creativity

• Miriam Kienle, University of Kentucky
  Feminist Conceptualisms and the Politics of Self-Quantification

• Elizabeth Koehn, Bard Graduate Center
  Invisible Woman: Cora Scovil’s Lucite Creations and the Case for Historical Recovery

• Zsofia Valyi-Nagy, Getty Research Institute
  Debunking Genius, Programming Intuition: The Accidental Feminism of Vera Molnar's Computer Graphics

• Moderator: Aneta Georgievska-Shine, University of Maryland 

• Natacha Aprile, Sorbonne University and EHESS
  Transgressing the norms and performing masculinity: Queen Christina blurring gender roles in her portraits
• Ilaria Arcangeli, University of Chieti-Pescara
  Roman women painters from the rear between the 16th and 17th centuries
• Margaret M. Barnes, University of Washington
  “Coheir in the Kingdom and Spouse”: Artemisia Gentileschi’s Madonna and Child as the Heavenly Bride and Bridegroom

• Moderator: Kayleigh Bryant-Greenwell, American University 

• Marietta Cambareri, Museum of Fine Arts, Boston
  Finding “Hidden Gold” in Museum Collections: Strong Women in Renaissance Italy at the Museum of Fine Arts, Boston
• Marissa Hershon, The John & Mable Ringling Museum of Art
  Curatorial Strategies for Presenting Women Artists in Studio Glass
• Carolyn Russo, Smithsonian National Air & Space Museum
  Challenging A Cultural Narrative: Contemporary Women Artists Embrace Feminism in the Realm of Flight
• Marisa C. Sánchez, Lycoming College

  Agency, Authorship and the Archive: The Case of Miss A

• Moderator: Tessa Paneth-Pollack, FAAC (Feminist Art-Architecture Collaborative)

• Bridget Bartal, Cranbrook Art Museum (Mis)fitting Taliesin: The Women of Frank Lloyd Wright’s Taliesin Fellowship

• Kelsey Gustin, Fine Arts Collection, US General Services Administration
  The Fiber Art Boom of the 1970s: Federal Buildings, Brutalism, and the Art in Architecture Program

• Marie-Christine Schoel, Westphalian Wilhelm-University Münster
  Judy Chicago’s Minimal Art and the Development of Alternative Spaces in the Feminist Art Movement

• Amy Von Lintel, West Texas A&M University
  Women Abstract Expressionists and Religious Design between 1960 and 1980

• Moderator: Andrew Wasserman, American University 

• Mona Bozorgi, Florida State University
  Shared Photographs as Agentic Data: Collaboration with Women Protesters in Iran
• Joanna Gardner-Huggett, DePaul University

  Contesting Rape and Demanding Safety: Ilona Granet’s 1977 Performance

  Elizabeth Hawley, University of South Alabama
  Don’t Bump Her: Natani Notah and the Indigenous Feminist Art of Resurgence

• Moderator: Anne Reeve, Hirshhorn Museum

• Dorothée Dupuis, National Autonomous University of Mexico
  The Exhibition elles@centrepompidou: the stakes of a "neither feminine nor feminist" approach at the turn of the 2010s
• Sarah K. Happersberger, International Centre for the Study of Culture
  Exchange as Feminist Strategy: The Exchange Show and other dialogue-based Women’s Art Exhibitions in Conversation
• Agata Jakubowska, Warsaw University
  Imagined and Real Women's Communities in International All-women Exhibitions
• Allison Westerfield, University of Florida
  The Legacy of “Women Artists”

• Moderator: Eleanor Harvey, Smithsonian American Art Museum
• Anna Dempsey, University of Massachusetts, Dartmouth
  Angel De Cora: The Indians’ Book and the Indigenous “Graphic Landscape”
• Rachael Reynolds,
  Tyler School of Art & Architecture, Temple University
  The Emancipated Female Figure and Reclaimed Feminine Power: Photographs by Anne Brigman, 1911-1913
• Amanda Malmstrom, Thomas Cole National Historical Site; Kate Menconeri, Thomas Cole National Historical Site; Nancy Siegel, Towson University
  Women Reframe American Landscape: A Curatorial Perspective
• Astrid Tvetenstrand, Preservation Society of Newport County
  Women in Landscape: Laura Woodward, Henry Flagler, and Property Development

• Moderator: Elyse Speaks, University of Notre Dame
• Audrey Florey, University of Missouri, Columbia

  Elsa Ulbricht’s Socially and Artistically Engaged Practices

• Caitlin Glosser, Kenyon College
  A Cross-Media Collaboration: Sonia Delaunay, Blaise Cendrars, and The First Simultaneous Book

• Olivia E. Murphy, University of Oklahoma
  From Seer Stones to Seer Bonnets: Angela Ellsworth's Recovering, Reimagining, and Recounting of Mormon Polygamy

Organized by Ayelen Pagnanelli and Lucía Laumann, Centro de Investigaciones en Arte y Patrimonio, Universidad Nacional de San Martin-CONICET

• Ana Paula Cavalcanti Simioni, Instituto de Estudos Brasileiros da Universidade de São Paulo
  Presenças Invisíveis: artistas latino americanas na coleção do CNAP em tempos de exílio

• Gloria Cortés, Museo Nacional de Bellas Artes, Chile
  Una Respuesta Entrecruzada: Los estudios feministas en las artes visuales y su panorama actual

• Georgina Gluzman, Consejo Nacional de Investigaciones Científicas y Técnicas
  Feminist Readings of the Past in Recent Argentine Art

• Moderator: Frances Jacobus-Parker, University of Notre Dame

• Claire Raymond, University of Maine
  Shelley Niro's Mohawk Valley
• Kimberly Smith, Southwestern University
  Beyond Japonisme: Charlotte Berend-Corinth's Wartime Watercolors
• Doris Sung, University of Alabama
  Hong Kong Artists’ Feminist Interventions in Civil Disobedience Movements
• Barbara Tyner, Centro de Cultura Casa Lamm

  Expanding the Timeline of Resistance: The Surprise of Pre-Feminist Feminist Messaging in Mid-Twentieth Century Mexico

• Moderator: Nancy Micklewright, Smithsonian Institution 

• Alison McQueen, McMaster University
  Sculptor Noémie Constant in Second Empire Paris: “A Woman who sought to live Honorably from her Work”

• Nadine Nour el Din, Independent Researcher
  Artist and Muse: Ehsan Mokhtar and Tahia Halim

  Mark N. Taylor, Berry College; Melinda J. Matthews, Georgia State University
  Jewel Woodard Simon (1911–1996): A Black Woman Artist at the Intersection of Race and Gender